SHIP STAMP SOCIETY

SHIP STAMP SOCIETY

Interested in Ships and Stamps? The Ship Stamp Society is an international society and publishes it’s journal, Log Book, six time a year.
Other benefits include the availability of a "Packet" for anyone who wants to purchase or sell ship stamps.
Full membership of £17 (UK only) includes receiving Log Book by post, but there is an online membership costing just £12pa.
Full details can be found on our web site at http://www.shipstampsociety.com where you can also join and pay your chosen subscription through Paypal or by cheque.
A free sample of Log Book is available on request.

KALEVALA POEM

For the 100th anniversary of the publication of the epic poem Kalevala, Finland issued three stamps in 1935 which shows on the 2,00 M stamp a type of Viking ship in which the hero of the epos Väinämöinen escaped with the “sampo”, made by the blacksmith Ilmarinen.
When the Goddess Louhi finds out that the “sampo” was stolen, she changed in an eagle, took her warriors on her back and landed on the boat of Väinämöinen (as seen on stamp), where after a battle started in which the boat sank, which took with her the “sampo”.
Plenty more on this poem you can find on the internet,

Encyclopaedia Britannica gives:
Kalevala, Finnish national epic compiled from old Finnish ballads, lyrical songs, and incantations that were a part of Finnish oral tradition.
The Kalevala was compiled by Elias Lönnrot, who published the folk material in two editions (32 cantos, 1835; enlarged into 50 cantos, 1849). Kalevala, the dwelling place of the poem’s chief characters, is a poetic name for Finland, meaning “land of heroes.” The leader of the “sons of Kaleva” is the old and wise Väinämöinen, a powerful seer with supernatural origins, who is a master of the kantele, the Finnish harplike stringed instrument. Other characters include the skilled smith Ilmarinen, one of those who forged the “lids of heaven” when the world was created; Lemminkäinen, the carefree adventurer-warrior and charmer of women; Louhi, the female ruler of Pohjola, a powerful land in the north; and the tragic hero Kullervo, who is forced by fate to be a slave from childhood.
Among the main dramas of the poem are the creation of the world and the adventurous journeys of Väinämöinen, Ilmarinen, and Lemminkäinen to Pohjola to woo the beautiful daughter of Louhi, during which the miraculous sampo, a mill that produces salt, meal, and gold and is a talisman of happiness and prosperity, is forged and recovered for the people of Kalevala. Although the Kalevala depicts the conditions and ideas of the pre-Christian period, the last canto seems to predict the decline of paganism: the maid Marjatta gives birth to a son who is baptized king of Karelia, and the pagan Väinämöinen makes way for him, departing from Finland without his kantele and songs.
The Kalevala is written in unrhymed octosyllabic trochees and dactyls (the Kalevala metre) and its style is characterized by alliteration, parallelism, and repetition. Besides fostering the Finnish national spirit, the poem has been translated into at least 20 languages; it has inspired many outstanding works of art, e.g., the paintings of Akseli Gallen-Kallela and the musical compositions of Jean Sibelius. The epic style and metre of the poem The Song of Hiawatha by Henry Wadsworth Longfellow also reflect the influence of the Kalevala.

Finland 1935 2.00M sg 307, scott 208. The painting shows the landing of Louhi on the boat, painting is made by Aksell Gallen Kallela.

Haukur 1973

Haukur was built in Reykjavík in 1973, thus being a youngster for a wooden boat. In the beginning she was designed as a fishing boat but due to the shipbuilder’s respect and enthusiasm for old sail boats the hull shape was rather unusual and in fact with a resemblance to the old shark and fishing schooners that were common around Iceland in the 19th century. When North Sailing bought the boat in 1996 it was soon clear that the boat would be a great sailing vessel and after serving 5 summers as an ordinary whale watching vessel the boat was transformed to a two mast schooner in the shipyard of Húsavík.

Phoenix 1929

The Phoenix is a ship built by Hjorne & Jakobsen at Frederikshavn, Denmark in 1929, originally as an Evangelical Mission Schooner.
Length: 112ft Beam21.9ft Draught 8.5ft. Propulsion 12 sails, 235 h.p. Volvo. Crew of 10

Missionary and cargo ship
Twenty years later she retired from missionary work and carried cargo until her engine room was damaged by fire. In 1974 she was bought by new owners who converted her into a Brigantine before being purchased by Square Sail in 1988. A first aid over-haul enabled her to sail back to the UK where she underwent a complete refit.
Appearances in films
Caravel Santa Maria
During 1991 she was converted to the 15th century Caravel Santa Maria for Ridley Scott's film 1492: Conquest of Paradise. The ship was known as Santa Maria until, in 1996, due to increasing demand for period square-riggers, she was converted into a 2 masted Brig and reverted to her original name Phoenix of Dell Quay.
Hornblower Series 3
Phoenix of Dell Quay was used as the ship Retribution in the Hornblower Series 3.

Wikipedia

Spirit of New Zealand 1986

The tall ship Spirit of New Zealand is a steel-hulled, three-masted barquentine from Auckland, New Zealand. It was purpose-built by the Spirit of Adventure Trust in 1986 for youth development. It is 42.5 m in total length and carries a maximum of 40 trainees and 13 crew on overnight voyages. The ship's home port is Auckland, and it spends most of its time sailing around the Hauraki Gulf. During the summer season, it often sails to the Marlborough Sounds and Nelson, at the top of the South Island.
The spirit of the project was derived from the sail training operations of the schooners "Sir Winston Churchill" and "Malcolm Miller" which were built for the organisation formerly known as the Sail Training Association ( STA) https://www.spiritofadventure.org.nz/th ... ur-history
The ship is used for a year-round programme of youth development, consisting primarily of 10-day individual voyages for 15- to 19-year-olds and 5-day Spirit Trophy voyages for teams of 10 Year 10 students. Once a year an Inspiration voyage for trainees with physical disabilities is run, as well as board of trustees and Navy training voyages. In addition, adult day, weekend and coastal voyages are offered to paying members of the public. The ship is usually in dry-dock for refit in November and does not sail on Christmas Day.
Design
The Spirit of New Zealand is a barquentine-rigged three-masted steel hull 33.3 m (109 ft) long, with an overall length of 45.2 m (148 ft) including the bowsprit, and a maximum width of 9.1 m (29.9 ft). She has a draft of about 4 m (13 ft) and a displacement of 286 tons. Under power, the Spirit of New Zealand can reach a top speed of 10 knots, and 14 knots under sail. A new engine installed in late 2010 is expected to increase the vessel's maximum speed.
The three steel masts are 28.7, 31.3, and 28.0 metres high and carry 14 sails totalling 724.3m² (7,965 ft²). There are 3 jibs and 4 square sails on the foremast. The main and mizzen masts are gaff rigged, and both can carry a gaff-topsail. In addition, there are 3 staysails on the main mast.
The hull is painted black with the ship's name and the Trust's website painted in white at the bow and across the stern. In addition, a large silver fern is painted on either side of the bow beneath the name. A stainless steel rubbing strake runs the length of the vessel and circular port holes are visible above the waterline. A wooden rail runs around the edge of the entire deck.
The standard crew of the Spirit of New Zealand has varied during her lifetime, but in 2010 consisted of 1 master, 3 mates, 1 cook, 1 engineer, 2 cadets, 3 volunteer watch assistants, 2 leading hands and 40 trainees. For day sail voyages, the ship is registered to carry significantly more passengers. The trainees are normally split 20 male and 20 female, and sleep in separate accommodation. A change to the male accommodation was made so that 6 of the bunks could be separated from the remainder, allowing voyages to sail with 26 females and 14 males. This change was made in response to frequently higher female applicants than male applicants.

Allahabad is a city on 3 rivers.

Allahabad is a city in the north Indian state of Uttar Pradesh, situated at the confluence of the Ganges and Yamuna rivers.The name is derived from the one given to the city by the Mughal Emperor Akbar in 1583. The name in Indian languages generally is Ilahabad. The ancient name of the city is Prayāga (Sanskrit for "place of sacrifice") and is believed to be the spot where Brahma offered his first sacrifice after creating the world. It is one of four sites of the Kumbh Mela, the others being Haridwar, Ujjain and Nasik. It has a position of importance in the Hindu religion and mythology since it is situated at the confluence of the holy rivers Ganga and Yamuna, and Hindu belief says that the invisible Sarasvati River joins here also. A city of many dimensions is what befits a description of Allahabad. In addition to being a major pilgrimage centre, the city has played an important part in the formation of modern India. Hindu mythology states that Lord Brahma, the creator god, chose a land for 'Prakrishta Yajna'. This land, at the confluence of three holy rivers - Ganga, Yamuna and Saraswati, blessed by gods, came to be known as 'Prayag' or 'Allahabad'. Foreseeing the sanctity of the place, Lord Brahma also called it as 'Tirth Raj' or 'King of all pilgrimage centres.' The Scriptures - Vedas and the great epics - Ramayana and Mahabharata, refer to this place as Prayag. Centuries followed. Allahabad became the headquarters of North Western Provinces, after being shifted from Agra. Well preserved relics of the British impact includes the Muir College and the All Saints Cathedral. Many important events in India's struggle for freedom, took place here - the emergence of the first Indian National Congress in 1885, the beginning of Mahatma Gandhi's non-violence movement in 1920. This confluence of history, culture and religion makes Allahabad, a unique city.
India 2011;500,500; Source:http://wikimapia.org/9805493/Allahabad.

Baltic Beauty 1926

Baltic Beauty is a two-masted small brigantine sailing ship. The steel hulled boat has wooden superstructure and has a sail area of around 452 square metres. Facilities on the ship include a large kitchen, bar, two toilets with shower and a sauna. The ship can accommodate 20 passengers on multi-day trips, and 58 passengers on day trips. she is now based in home port of Ronneby, Sweden.

History
Baltic Beauty was built in 1926 in the Netherlands. The ship has undergone a few name changes and was formerly known as was formerly Hans Ii, Sven Wilhelm and then Dominique Fredion. The ship was refurbished in 1989.

Cabins
The ship has sleeping accommodation for 20

Ship Summary
Built by: Capello NV, Zwartsluis, the Netherlands
Date Completed: 1926
Gross Tonnage: 68
Length: 40 m (overall length)
Width: 5 m
Passengers: 20
Crew: 5

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Ariel 1865

The full index of our ship stamp archive

Ariel 1865

Postby john sefton » Tue Jan 18, 2011 8:47 pm

Ariel.jpg
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Ariel.jpg
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The Ariel was No 162 at Robert Steele & Co's yard, Greenock, and was launched on 29 June 1865, having been ordered by Shaw, Lowther & Maxton of London. Her register dimensions were 197.4ft x 33.9ft x 21.0ft with a tonnage of 852.87.
The Ariel had her lower masts made up of three iron plates 1/2in thick without internal angle stiffeners; the fore and main were 30in diameter and the mizen was 28in diameter. The bowsprit was 30in diameter made up with three plates but stiffened inside with 4in X 3in X 7/16 in angles. Presumably a boy or man crawled inside as a 'holder‑upper' as the plates were being riveted together.
Later in her life, Titania had two deckhouses erected on her main deck to increase cargo capacity by taking the accommodation out of the 'tween decks; this is authenticated by an oil painting and by photographs. Perhaps the same thing was done to Ariel before she was lost in 1872. There is a large painting in the National Maritime Museum supposedly of her with two big deckhouses, but also with a long poop, a topgallant forecastle, double channels, topgallant rail, and headsails cut in the fashion of twenty years later. The figures painted about the decks are also too small for a tea clipper and suggest a vessel of 1500 tons with an American or Canadian pedigree. The Ariel's original sail area of 25,451 sq ft, excluding skysail and stunsails, was reduced later in her life to 23,471 sq ft.
Her only outward passage under 100 days was in 1866‑67 on her second voyage, but this was the fastest ever made out against the monsoon:
Left Gravesend 14 October
Left Start Point 15 October
Dropped pilot (noon) 17 October
Crossed the Line in 25°30'W 3 November
Passed meridian of the Cape in 44°S 14 November
Passed Island of Savoby 13 December
Passed through Gillolo Passage 23 December
Passed Pelew Islands and Bashees 3 January
Picked up pilot (9.0 am) 5 January
Anchored at Hong Kong (11.0 pm) 5 January
The time was 83 days, or 79 days 21 hours, pilot to pilot. Commenting on the public reaction to this passage, Captain John Keay wrote in his journal: 'Our 80 days (79 days 21 hours) from pilot to pilot & 83 from Gravesend to Hong Kong made quite a sensation in Hong Kong & at home when telegram reached, 'twas scarce believed. So Ariel up to present date has exceeded every other sailing ship, specially is extraordinary in NE monsoon.'
Cairngorm's fast run of 77 days at sea out to Hong Kong has already been mentioned, but Ariel's was the fastest allowing for an unfavourable monsoon and for making the passage at one attempt. Two other fast times were made by American ships in the 1850s. Eagle Wing took 83 days 12 hours in 1855, pilot to pilot, between leaving the Downs on 17 April and arriving at Hong Kong on 10 July. The previous year the Comet had taken 83 days 21 hours between her pilots from Liverpool to Hong Kong, 17 June to 7 September or 86 days 16 hours anchor to anchor. Both were made with the help of the monsoon.
Ariel early gained fame by being the first ship in 1866 to reach the Downs. She had loaded 1,230,900lbs of tea at Foochow at £5 per ton on 340 tons of iron kentledge and shingle ballast. Her bills of lading, like those of the other early starters, were endorsed for 'l0s per ton extra if first sailing vessel in dock with new teas from Foochow'. But she was unlucky with her tugs. She finished loading first and left at 5.0 pm on 28 May behind the paddler Island Queen. The tug was too weak to take her across the bar next day and she had to wait 24 hours during which Fiery Cross passed her, so that she eventually got across closely followed by Serica and Taeping, all three making sail at about 10.30 am. Taitsing left next day.
Fiery Cross made the best time to Anjer by one day and all five ships made big runs across the Indian Ocean, Ariel on one occasion logging 330 miles and Fiery Cross 328. The positions of the ships altered slightly, with Taitsing gradually catching up. She passed Flores on 1 September, the other four having passed it on 29 August. Ariel and Taeping ran up Channel logging 14 knots for most of 5 September. Ariel signalled her number off Deal at 8.0 am on 6 September, 98 days 22 hours from dropping her pilot. Taeping was off Deal 10 minutes later, and Serica not until noon. Fiery Cross arrived about 36 hours later. With her better tug Tae ping docked the same day at 9.47 am, Ariel at 10.15 pm, and Serica at 11.30 pm, just before the dock gates closed. The consignees must have been very loth to award the premium to either ship because with so much tea arriving at the same time on the market, prices would be sure to fall and a loss would be sustained. The premium was in future abandoned, after being divided on this occasion between Ariel and Taeping.
The following year Ariel obtained 10s per ton more freight than any other ship, and though not sailing with the first flight passed every ship ahead of her except Taeping and Fiery Cross. Her third passage was her fastest since she was only 95 days to 'off Falmouth'.
A résumé of her first four outward passages is as follows:
1865, Liverpool to Hong Kong, 4 September to 15 December, 102 days.
1866‑67, Gravesend to Hong Kong, 14 October to 5 January, 83 days (79 days 21 hours pilot to pilot).
1867‑68, London to Shanghai, 19 October to 5 February, 109 days.
1868‑69, London to Shanghai, 22 September to 8 January, 106 days.
The first three were made under Keay, the fourth under Courtenay.
Basil Lubbock copied Captain Keay's private journal and these hand‑written copies are now in the National Maritime Museum. They provide some informative background data on the ship's fittings and are summarized here:
There was so much brasswork that it took three to four men twelve hours to clean and oil it all round outside and inside rails, gun mountings, bucket straps, &c; there were eight side winches ; eight capstan bars of teak were fitted in rack on after side of deckhouse; pig house was stowed under longboat; hen coops kept under monkey poop but could be moved out for cleaning; there was a sheep pen, but position not stated; steering gear stated to have screw and guide rods which implies the standard wheel box of the period; bower anchors kept abaft windlass on main deck and brought on to forecastle when approaching land and painted red [this may have been done to distribute weights further aft]; sidelight screens placed in mizen rigging on three foremost shrouds; prior to entering port, all fancy gratings, buckets and racks, brass ventilator, standard of compass, headboards, boom boards, guns &c got on deck, and were put away when ship got to sea; spare spars stowed along waterways, three each side, and one each side of quarter hatch; 'lower ends of carved ornaments on house too fragile, shortened them a little' [perhaps this refers to acanthus leaves on pilasters]; manger situated at fore part of main hatch [presumably for animals]; temporary breakwater built across deck from side to side to protect wheel, binnacle, skylight and companionway when running the Easting down, as there was a lot of water on deck.
The only reference to colours of paint is that on the second passage the fore‑ and mainmasts were painted a stone colour as “owners had put on board different paint from first voyage”; also that waterways were painted cream.
As regards the setting of flying kites, all those pictured by the Illustrated London News were regularly set at different times and in addition there were: a main skysail, main sky staysail, jib topsail, save‑all to spanker, main middle staysail, watersail below ringtail, and a mizen staysail laced to the outside of a lower stunsail; the Jamie Green was cut from No 4 canvas similar to a main topgallant stunsail but with 3ft more hoist; the dews of the upper topsails were sometimes 'hove out and laced to head of lower topsails'; two spare topmast stunsail booms were lashed across fore hatch making a total length of 65ft as a passaree boom to haul out the sheet of the lower stunsails.
Captain Keay left the ship in the autumn of 1868 to take command of the company's new clipper Oberon and his first mate, Courtenay, took command. In 1870 Ariel was dismasted south of Yokohama on an intermediate passage. After refitting, Captain Courtenay left Yokohama for New York on 1 September, and going across the Pacific and by way of Cape Horn, he passed Diego Ramirez on 22 November and reached New York on 15 January 1871, 136 days out. In 1872 she left London for Sydney on 31 January and was never heard of again. It is usually assumed that she was fatally pooped when running her Easting down.

The Tea Clippers by David R MacGregor

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Re: Ariel 1865

Postby Anatol » Sun Feb 08, 2015 9:49 am

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Аriel (Clipper)1865
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Re: Ariel 1865

Postby aukepalmhof » Mon Jan 16, 2017 8:53 pm

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Re: Ariel 1865

Postby Anatol » Wed Nov 08, 2017 5:33 pm

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